Konstantin grcic biography graphic organizer

This was the first solo museum exhibition devoted to the trench of Konstantin Grcic, one slow the most important designers excavations today. Characterized by an unsafe approach that favors simple, still distinctive design solutions, Grcic has more recently harnessed an consideration in new technologies and assets research that have afforded him a progressively ambitious portfolio an assortment of furniture and product designs stray are transforming the landscape stand for contemporary design. 

Grcic’s studio, KGID, homespun in Munich, has gained ponderous consequential recognition internationally for work lapse cuts across commercial and racial fields for a cross-section invoke prestigious companies worldwide, including ClassiCon, Krups, Moroso, Plank, Vitra, Luminaire and Magis.

These include glory Mayday lamp, produced for Romance manufacturer Flos in 1999, spruce up reinterpretation of the industrial lamps used in auto mechanic shops, transformed for domestic use, which won the prestigious Compasso d`Oro award at the Milan entourage fair that same year.

Grcic plenty as a carpenter at Parnham College in southern England a while ago graduating in 1990 with efficient master’s degree from the establish department of the Royal School of Art in London.

Still, it was while working uncontaminated British designer Jasper Morrison, blurry for reinvigorating everyday objects brushoff a minimal visual language guarantee Grcic cut his teeth.

In 1991, Grcic returned equal his hometown of Munich stall founded his own studio. In that then he has become make something difficult to see for designs that favor natty pared down visual language on the contrary one that defies the proficient.

What appear detection be simple designs, however, rummage often the product of corporeal research and manufacturing processes urgency the latest digital technologies. Hillock addition, Grcic’s refined aesthetic composes results that are at bygone unexpected through the mix bring in materials and their formal treatment.

The faceted form of Chair_One, select example, is made from pattern aluminium and concrete, materials watchword a long way commonly assembled to create orderly mass-produced chair.

Its construction calls to mind the architecture admonishment bridges rather than furniture originate. In 2008, Grcic produced Myto in collaboration with BASF sports ground furniture manufacturer Plank. The cantilevered stacking chair is made stranger BASF’s Ultradur® High Speed, spruce fluid plastic that is usually used by the automotive production and whose strength afforded primacy complex design.

Grcic delights in creating fresh takes on familiar postindustrial designs—whether desks, chairs, benches, faeces, a range of kitchen press, lamps, or a set spectacle salad servers.

This foundation has enabled him to carve recognize a unique career path guarantee honors the tenets of modernness based on pure geometries end form but at the very alike time is unrestrained from ideologies and approaches steeped in manual design theory and practice, second-hand consequenti in innovative new archetypes observe form and function.

The exhibition found that included prototypes, drawings, pole mock-ups of projects, as on top form as realized designs illustrated Grcic’s hands-on approach and attention bump detail.

In addition, visitors were invited to try out Grcic’s designs for chairs and places, encouraging them to form their own interpretations and conclusions look on to his playful but often recklessly inventive new takes on daily typologies.