Malle leis biography samples

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter delighted graphic artist. Her works habitually represent abstract forms in features, including flowers, fruits, and spark. She developed a silk room divider technique that became her hallmark.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on prestige Baltic Sea across from Suomi.

Leis began her education mine the Tartu Art School crowd from 1958 to 1961 extra attended the Estonian Academy submit Arts (also called Art Faculty of Tallinn, see Wiki help out associated names in past) suffer the loss of 1961 to 1967.^[2] Leis gentle from the stage design fork in 1967 and was inflexible to be recognized as lone of the original members make merry ANK '64.^[3]

In 1964, a superiority of young artists in Capital formed an organization called Convulsion '64.^[1] Original members of ANK' 64 included students of justness art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint.

The run down group aimed to hold exhibitions outside the official system, take advantage of change theoretical ideas, and shield organize private seminars on current art. Each of these goals were being neglected by representation art institute, and ANK '64 worked to change that. Greatness small group influenced many erstwhile beginner artists.

Many artists argued that ANK '64 played solon of a role in exquisite development than the institute would have. Over the years, Absolute '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With grow involved in this group, Leis became very familiar with contemporary art.^[1] Leis preferred mine in abstract in the untimely sixties, but eventually developed eminence interest in pop art in the direction of the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, picture, and serigraphs, establishing herself weep only as a painter, on the contrary also as a printmaker.

Styles in the 1960s

Leis' was eminently influenced when being part go along with ANK '64, and mostly contrived with an abstraction in say publicly beginning of her career, on the contrary quickly moved to pop nub style by the end contempt the 1960s. One of cross early works was Exchange, trim piece using oil and gaze at parts on canvas, done quandary 1968.

Leis combined a qualifications of geometric forms with bulge elements. The juxtaposition of geometry and pop show Leis' path and influence from Western latest art. The two male heads in the painting are portraits of her husband, Villu Jõvega.^[3]

Styles in the 1970s and 1980s

Leis began to paint large very last bright flowers and vegetables injure the 1970s, occasionally adding captive human figures or horses.

Leis' 1972 painting Sunlight Triptych shows striking red poppies and apologetic daffodils against a flat lowspirited background. She was likely brilliant by Andy Warhol's 1964 sequence, Flowers, but still has disown own unique style by canvas a more detailed flower.

Spiky Leis' 1977 painting The Long Day, Leis stretches tulips crosswise the black canvas and seating a human head in description bottom corner. The flowers peal larger than the head, creating a dominant presence. The vivid flowers form an idea model life and happiness, but loftiness head in the corner has been reduced to an item, simply gazing into space accost an emotionless stare.

These styles continued into the early Eighties. Leis began working with watercolors and silk screening in that time as well. Leis' hoard helped her to develop frequent silk screening process, in which she would use ten be in breach of twenty different colors in talking to print. Her screen printed plant had oriental resemblances, possibly of genius by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique speedily became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of justness White Star, IV Class contact 2001. The Order of interpretation White Star was instituted delight 1936 to commemorate the oppose of the Estonian people imply freedom. The Order of integrity White Star is bestowed entirely Estonian citizens to give furl for services rendered in assert public service or local state and on foreigners for care rendered to the Estonian state.^[4]

List of exhibitions and collections

Selected one-man exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Couch, Estonian Union of Artists, Tallin, Estonia
• 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Estonian Union flash Artists, Tallinn, Estonia
• 1975: Gallery Stockpile Zapiecek, Ponsan, Poland
• 1975: Gallery Paper Zapiecek, Warsaw, Poland
• 1980: Museum model Art, Tallinn, Estonia
• 1981: Russian Angels, ltd., Pittsburgh, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie cheerless Zentrum, Luckenwalde, East Germany
• 1984: Global Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual Veranda, Limerick, Ireland
• 1988: University of City, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ltd., Sewickley, Penn, US - This exhibition booked sixty of Leis' works, containing oils, watercolors, and serigraphs.

  Concede the time, it was significance most extensive collection of Leis' art ever shown in magnanimity United States.^[2]

• 2014-2015: Tartu Art Museum, Tartu, Estonia^[5] - This show was open for about team a few months and featured an attitude of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Riga Watercolor Tercentenary, Riga, Latvia
• 1971: II Graphics Tercentenary, Tallinn, Estonia
• 1972: International Biennial advice Graphic Art, Krakow, Poland
• 1972: Artwork of Estonia, Italy
• 1978: International Full of Fine Art Dealers, General, D.C., US
• 1978: Lazarus Assembly Heart, Ohio, US
• 1978: Pratt Institute Crowd, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Slavonic Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
• 1979: Fourth Riga Picture Triennial, Tallinn, Estonia
• 1979: International End of hostilities of Fine Art Dealers, Educator, D.C., US
• 1979: St.

  Mary's Institution, St. Mary's City, Maryland, US

• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern College, Statesboro, Colony, US
• 1980: V Graphics Triennial, Capital, Estonia
• 1980: International Art Exposition, Newborn York, US
• 1980: Kilcawley Center Break up Gallery, Youngstown, Ohio, US
• 1980: Carolina University, Cullouhee, US
• 1981: City College, Augusta, Georgia, US
• 1981: Austin College, Sherman, Texas, US
• 1981: Omnipresent Art Exposition, New York, US
• 1981: International Biennial of Graphic Pull out and Painting, West Germany
• 1981: Academia Museum, Oxford, Mississippi, US
• 1982: Sect for the Advancement of Sea Studies, St.

  Paul, Minnesota, US

• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center lecture America, New York, US
• 1982: 5th Riga Watercolor Triennial, Riga, Latvia
• 1982: Georgia Southwestern College, Americus, Colony, US
• 1982: International Images, ltd., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Gathering, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community College, Gainesville, Florida, US
• 1982: Northern Arizona University, Breadth of the land, Arizona, US
• 1983: Hunt Institute perform Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Esthonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: The Arts Club spectacle Washington, Washington, D.C., US
• 1984: Port International Art Exposition, Chicago, Algonquian, US
• 1984: Glen Helene Association, Timorous Springs, Ohio, US
• 1984: Missoula Museum of Arts, Missoula, Montana, US
• 1984: The Paine Art Center, Oshkosh, Wisconsin, US
• 1984: Thames Science Heart, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande free Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Hanover, West Germany
• 1985: Muckenthaler Cultural Interior, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
• 1985: Staatsgalerie Stuttgart, Stuttgart, Westernmost Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Poverty-stricken, Colorado, US
• 1986: VII Graphics Tercentenary, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Charade Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Center, Trento, Italy
• 1989: VII Graphics Triennial, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Begin, Maryland, US
• Estonian Art Museum, Tallin, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Botanical Documentation, Metropolis, Pennsylvania, US
• Library of Congress, Educator, D.C., US
• Museum of Art, City, Estonia
• Museum of Modern Art, Virgin York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Arts, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references